Samuel Huntington, Mr. “Clash of Civilizations”, has his knickers in a twist once again. This time, it’s over the alleged “threat” that Hispanic immigrants pose to “America’s identity, value, and way of life.”
Writing the lead piece in the latest issue of Foreign Policy mag, Huntington twitters on about the fact that this wave of Hispanic immigration is unlike any other earlier waves of immigration in that it threatens to swamp the existing culture of the country. (H’mm, wonder if the native Americans feel this is so unprecedented?)
“The use of both languages [English and Spanish] could become acceptable in congressional hearings and debates and in the general conduct of government business,” he harrumphs.
He writes of the possible or probable transformation of the U.S. into a bilingual country that it, “would not only revolutionize the United States, but it would also have serious consequences for Hispanics, who will be in the United States but not of it.”
Whatever that means.
One of the few endearing things about this article is the great title that the FP team –led by Hispanic editor and publisher Moisés Naím–have put on it: “José, can you see?”
Anyway, let’s hope that Sam H either has a pre-school grandchild, or reads the Washington Post Style section as assiduously as I do. Because right there, in the lead article, is a great antidote to such fear-mongering. It’s a piece by Jennifer Frey about the enormous appeal to the pre-school and elementary-age crowd of a feisty young bilingual TV heroine called “Dora the Explorer”.
Well, I could fall for the name, for starters.
The piece is about the general Dora phenom, and it’s also about the palpable excitement at a live “Dora” show given in DC’s Warner Theater. (The “original”, Nickelodeon version of Dora is a cartoon character.) Here’s what Frey writes:
- It’s Wednesday night at the Warner Theatre, the clock hovering around the normal bedtime hour for this preschool-and-up set, and the kids are on their feet. Screaming. “Vamos a la casa! Vamos a la casa!” From the balcony, it looks like a commercial for cultural diversity — or perhaps just an ad for Benetton Kids — the crowd so multiethnic that it seems possible to map your way through the hemispheres, excited face by excited face…